三厘社作品 | NIAOYAN 鸟焱·烧物-室内设计师平台 -室内设计论坛-扮家家室内设计网

NIAOYAN / 鸟焱·烧物

餐厅 / 商业空间 Restaurant / Commercial Space

南京, 中国 Nanjing, China

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设计 : TRIOSTUDIO三厘社

Design : TRIOSTUDIO

完成时间：2022 Completion Year: 2022

面积：142㎡ Area：142㎡

摄影 : ingallery Photographer : ingallery

鸟焱·烧物位于南京华灯坊，辐射CBD商业受众。本案作为鸟焱品牌在南京布局的第三间门店，区别于首店的新日式风格，设计以酒馆气质为契，将别具一格的烟火气融入新店策划中，打造围合中央吧台传递日式烧鸟的独特体验，同时整体风格灵感取师于鸟居结构和式纸伞，在色彩搭配、内部装饰中延续新颖的用餐仪式感。

As the third store of NIAOYAN in Nanjing, this case is mainly based on the tavern unit, integrating the breath of life into the space. At the same time, the style is inspired by the structure of the torii and the paper umbrella, which continues the novel Japanese ritual sense in the color and interior decoration.

从场地突围，构建别样日料酒场Construct a different kind of Japanese cooking wine field项目选址于商场地面一层的上行扶梯之下，面对采光不够、景观差与客流问题，如何从场地劣势中突围成为设计团队首要面临的难题。Faced with the problems of insufficient lighting, poor landscape and passenger flow, how to break through the disadvantage of the site has become the primary problem faced by the design team.

设计团队将日本鸟居结构中的“朱红”作为空间主体色，从外立面至餐厅内部环境的立面细部均以“秩序感”营造出空间的连续性，层叠的木构搭配引人注目的红色，营造出浓郁而有序的视觉效果。客人经过外摆区，进入室内空间，映入眼帘即是核心区域的中央吧台，精致酒柜以玫瑰金构架作为展陈，为空间注入复古感的生机，并契合流畅弧墙融入完整的空间色彩单元，在顶部伞型构架下，层次明亮的气韵在空间中流转。The design team used "vermilion" in the torii structure as the main color. From the exterior facade to the interior environment of the restaurant, the "sense of order" creates the continuity of the space and has a strong visual effect. Guests pass through the outside area and enter the indoor space, and they are greeted by the central bar in the core area.

仪式，不止于鸟居Ceremony, more than torii设计团队在整体空间构造思路上，通过节点结构与精细选材来呈现鸟焱品牌与日料文化的契合度，在视觉性与功能性上呼应鸟居构造文化，创造出多重时空维度的场景体验，即“进入空间之时，所有来客行为皆需要特别注意”，设计团队亦是通过结构装饰的仿形来发出信号，踏入鸟焱即意味着跨入一个与现实世界泾渭分明的空间旅程，从而传递给食客更多精神文化层面的感受与体验。In terms of construction ideas, the fit between NIAOYAN and Japanese material culture is highlighted through structure and material selection, and a unique scene experience is created. That is, "when entering the space, all guest behaviors require special attention". This is the spatial signal: stepping into Toyoya means stepping into a journey that is distinct from the real world. In this way, more spiritual and cultural feelings and experiences can be conveyed to diners.

餐厅内部，设计团队利用核心吧台区域的顶层装饰架构与“和式纸伞”联系，纤细木构以序列形态的搭建融汇出现代材料的细腻渐次感。散座公域与单独包间的错落观感，在木构与顶部镜面折射出的多维空间中起承转合，制造出餐厅空间与来客交感、与品牌气场交感的邂逅篇章。Inside the restaurant, the design team used the top-level decorative structure of the core bar area to connect with the "Japanese-style paper umbrella". The scattered look and feel of the scattered public area and the separate private rooms are connected in the multi-dimensional space refracted by the wooden structure and the top mirror. The restaurant space interacts with guests and brands.

景观的呼吸感Breath of the Landscape在空间外立面的设计中，利用弧面片墙间隔与局域造景，以材质交叠复现出视觉掩映的景观屏障，模糊化处理的边界让室内外有层通透的呼吸感，在半圆“伞面”延伸下的日式造景，让空间内的感受界线穿透物质隔墙，引导客人视线与室内环境琳琅相会。In the design of the façade of the space, the arc wall and local landscaping are used to reproduce a barrier-like visual cover with overlapping materials. Blur the boundary and make the space have a sense of transparent breathing. The Japanese-style landscaping under the extension of the semi-circular "umbrella surface", the boundary of feeling in the space penetrates the material partition wall, guiding the guests' eyes to meet the space.

在结构致敬之外，场所的故事性也离不开光影的诠释，设计团队细心打磨许多耐人寻味的空间细节，为置身其中的纷纷宾客们，叙说渐入密境的空间意趣。In addition to paying tribute to the structure, the story of the place is also inseparable from the interpretation of light and shadow. The design team carefully polished many intriguing spatial details to describe the spatial interest of gradually entering the secret environment for the guests who are in it.