光明东滩源（原前哨织布厂改造）- LTF2030展示中心| 同济原作设计工作室-室内设计师平台 -室内设计论坛-扮家家室内设计网

两条河道交汇于此造就了场地特色的三角洲头地形，东西两侧的两条道路风貌各异，西侧前哨公路上高耸齐整的水杉像是一种宏大的叙事，而东侧隔河相望的东瀛路上环抱交叠的夹竹桃则营造了散文般细腻的体验感，这种差异性仿佛也暗示了某种并置与多样的关系。

The intersection of the two rivers creates the characteristic delta-head topography of the site. The two roads on the east and west sides are different, with the towering sequoias on the outpost road on the west side acting as a grand narrative, while the interlocking oleanders on the east side of the road across the river create a prose-like and delicate experience, as if this difference also suggests a certain juxtaposition and diversity.

▼林间堤上的展示中心，The exhibition center on the embankment © 章鱼见筑

▼展示中心总体顶视，Rooftop view © 章鱼见筑

在进行场地研究的初始我们便迎来了一个巨大的挑战，由于地势较低，场地的标高低于周边河道的水位，常年受到洪涝的侵扰。经估算需要环场地增设约1.4m高的防汛墙，因而首要的防汛诉求成了破题的关键。我们做了一个大胆的决定，在场地周边筑堤造景，并将堤的复合性做到极致。这也是我们在基础设施建筑学中的进一步思考，将堤与生态景观、公共空间乃至建筑进行复合化设计。堤作为基础设施则不再是单一的线性体系，而转化为了一个多维度的生态绿堤系统，作为一条重要的空间线索将整个场地串联起来。

▼总体区位轴测图，Site axon © 同济原作设计工作室

At the beginning of the site study, we were presented with a huge challenge. Due to the low topography, the elevation of the site is lower than the water level of the surrounding river, which is subject to flooding all year round. It was estimated that a 1.4m high wall needed to be installed around the site, so the flood control requirement became the key to solving the problem. We made a bold decision to build a dike around the site to create a landscape and to maximize the composite nature of the dike. This is a further step in our thinking about the infrastructure architecture , which combines the dike with landscape, public space and even architecture. The embankment as an infrastructure is no longer a single linear system, but is transformed into a multi-dimensional ecological embankment system that serves as an important spatial thread linking the whole site.

▼主入口景观台地，Main entrance © 章鱼见筑

场地被位于中央的景观轴线自然划分为南北两个分区，北区以住宿功能为主，南区主要用于展览展示及室外活动。

The site is naturally divided by the centrally located landscape axis into two zones, north and south, with the northern zone focusing on accommodation functions and the southern zone mainly used for exhibition and outdoor activities.

▼晨间薄雾中的步行桥，The footpath in the early morning © 章鱼见筑

▼步行桥通往展示中心，The footpath leading to the exhibition center © 章鱼见筑

▼会议中心对望展示中心 © 章鱼见筑

View to the exhibition center from the conference center

场所的原有印记是两幢陈旧的坡屋顶厂房及其之间简易搭建的棚屋，在空间肌理上像是三条笔墨并不重的横向线条轻轻抹过；残破的屋面暗示着其建筑品质已不能满足继续使用的需求，因此我们将其拆除，又通过新建的手法重新演绎了这组空间。

The original mark of the site is the two old sloped-roofed factory buildings and the shacks between them, which look like three horizontal lines; the dilapidated roofs suggest that their architectural quality can no longer meet the demand of use, so we demolished them and reinterpreted this group of spaces through new construction.

▼入口景观掩映下的展示中心，View to the exhibition center through the landscape © 章鱼见筑

▼起伏屋面，The undulating roof © 章鱼见筑

这组钢木结构的建筑也是一种在简单逻辑下对形式及空间多样性的实践尝试，这次我们利用圆锥面这一基本几何原型来进行形态上的塑造。倒置的锥面与锥面交叠会产生一条斜向的交线，而进一步以矩形框架对交叠的锥面进行切割，则会得到类似原有坡屋面的线条，通过这种尝试我们寻求到了一种新的建筑语言与原有形制间的平衡。

▼屋面形态生成，Roof – diagram © 同济原作设计工作室

The steel and wood structure is also an experiment in formal and spatial diversity within a simple logic, and this time we used the basic geometric archetype of the cone to shape the form. The inverted cone and the cone overlap to create a diagonal line of intersection, and further cutting the overlapping cones with a rectangular frame, which results in a line similar to the original sloping roof. We seek a balance between a new architectural language and the original form.

▼光影关系，Light and shadow © 章鱼见筑

▼二层灰空间远眺东侧林地，View to the forest from the second floor © 章鱼见筑

▼二层灰空间与水塔对景，View to the water tower from the second floor © 章鱼见筑

▼室内空间，Interior view © 章鱼见筑

去除冗余，以两种基本单元为原型，通过镜像与拼接逐渐塑造出了这座建筑绵延起伏的屋面。与原有的场地记忆类似的，建筑的西立面仍呈现出了一组异化的、更具当代意味的山墙立面，而三条东西向曲折微变的屋脊则传达着带有场所记忆的建筑进化历程。

By removing redundancy, the building’s undulating roof is gradually shaped through mirroring and splicing, using the two basic units as prototypes. Similar to the original site memory, the west façade of the building still presents a set of alienated and more contemporary façades, while the three east-west curved and slightly changed roof ridges convey the evolution of the building with the memory of the site.

▼客房区露台远眺展示中心，View to the exhibition center from the guest room © 章鱼见筑

▼屋顶韵律，Roof scape © 章鱼见筑

为回应原有棚屋的临时性特征，我们将中间一条屋面下部的空间设计成了灰空间，而统领性的绿堤体系也在这里放大成节点，介入到建筑中来。绿堤系统在此处转化为一个混凝土盒子，插入新建的通透体量中，作为后勤服务空间使用，而堤上的漫游路径线索也顺着灰空间的提示进入建筑中，以景观台阶的形式重新链接回到场地。由景观台阶漫步而下，便能在富有韵律感的木构屋架覆盖之下望到前方的水塔，既是场所的终点，也是起点。

▼景观绿堤体系生成，Diagram – green dike © 同济原作设计工作室

In response to the temporary character of the original shacks, the space under the middle roof is designed as a gray space, and the dike system is amplified here as a node, intervening in the building. Here the green dike system is transformed into a concrete box, inserted into the new permeable volume as a logistical service space, while the roaming paths on the dike follow the hints of the gray space into the building, and are linked back to the site in the form of landscape steps. A stroll down the landscape steps leads to the water tower under the rhythmic wooden roof covering, which is both the end and the beginning of the site.

▼掩映于绿化之中的起伏屋面 © 章鱼见筑