易儒設計丨乃知城市有山林

“生活所需的一切不貴豪華，貴簡潔；不貴富麗，貴高雅；不貴昂貴，貴合適。” 

——林語堂

项目背景

現代社會在物質生活上得到了極大的發展，，每天的生活節奏都在不斷加快，雖然讓人們的生活得到極大的充裕，但也給人們帶來了極大的精神疲勞。

Modern society has made great progress in material life, and the daily rhythm of life is constantly accelerating. Although people's lives are greatly enriched, it also brings people a lot of mental fatigue.

設計師洞察到了這種苦惱，在融僑疊墅的規劃上，便以東方意蘊爲內核，以現代設計爲手段，滲透進文人情懷與寄情山水的胸襟，營造一片靜雅甯和的棲身地。

The designer has insight into this kind of distress. In the planning of Rongqiao Dieshu, he takes oriental connotation as the core and modern design as a means to infiltrate the feelings of literati and the mind of mountains and rivers to create a peaceful and peaceful habitat.

# 01

玄 關

Entrance

玄關是從日常生活到新空間的象征性過渡，決定了家居的第一印象。設計師借鑒了園林中的障景、借景手法，綴以一尊後現代風格擺件，對外限定出室內室外的距離感，對內則掀開了清雅生活的一角。

The entrance is a symbolic transition from daily life to a new space, which determines the first impression of the home. The designer draws on the techniques of obstructing and borrowing scenery in the garden, and embellished it with a post-modern style ornament, which limits the distance between indoor and outdoor, and opens a corner of elegant life inside.

# 02

客 廳

Living Room

轉過镂空隔斷屏風，直抵客廳。空間布局上開敞流通，層次富于變化，體量和尺度都掌握得恰到好處。在家具和色彩的選用上，沒有過多的繁雜裝飾，越簡潔素雅，越能適意地展現整體格調的自然靈秀之美。

Turn around the hollow partition screen and go straight to the living room. The spatial layout is open and circulating, the levels are full of changes, and the volume and scale are well mastered. In the selection of furniture and colors, there are no too many complicated decorations. The more concise and elegant, the better the natural beauty of the overall style.

# 03

餐 廳

Dining Room

餐廳與客廳有序相聯，動線輕快簡潔。每一個細節都被處理得分寸得宜，色調幹淨簡約，細膩而具有內涵，插花是是強化美學表達的重要手段，增加了空間的生態屬性，更顯用餐環境的溫馨浪漫，讓人工作之余對家更有強烈的歸屬感。

The dining room and the living room are connected in an orderly manner, and the movement is brisk and simple. Every detail is handled appropriately, the color is clean and simple, delicate and connotative. Flower arrangement is an important means to strengthen the expression of aesthetics. It increases the ecological attributes of the space and shows the warmth and romance of the dining environment. Home has a stronger sense of belonging.

# 04

夾 層

Mezzanine

循著階梯徑直往上，可達夾層。設計師憑借對東方神髓的精准把握，融入了禅宗美學中的“幽玄之妙”，即將美的事物隱藏起來，給予觀者一段距離，去揣測和想象它的美。

Follow the stairs and go straight up to the mezzanine. The designer relies on the precise grasp of the oriental essence and integrates the "secret and mysterious" in Zen aesthetics, which hides the beautiful things and gives the viewer a distance to speculate and imagine its beauty.

空間形式上有開合、有層次、有斷續，繼而顧盼呼應，神氣相聚，正是“別有天地非人間”。

In the form of space, there are openings and closings, layers, and discontinuities, and then echoes with expectation and spirit, which is exactly "there is no heaven and earth and inhumanity."

# 05

枯 山 水

Karesansui

“于無池無遣水處立石，名曰枯山水。”用石做山，以白砂做水，以高度理性、抽象與寫意的手法展現空間氣質，清幽而恬靜，凝練而素雅。它能夠喚起隱藏在人們內心深處的安定，一種渴望最本真的、永恒的甯靜。

"The place where there is no pond and no water is standing stone, and the name is dry landscape." The mountain is made of stone and the water is made of white sand, showing the spatial temperament with a highly rational, abstract and freehand approach. It is quiet and quiet, condensed and elegant. It can evoke the stability hidden deep in people's hearts, a kind of longing for the most authentic and eternal peace.

枯山水在用色方面去除了多余的色彩，大量使用黑白灰中性色組合，有一種繁華後歸于平淡的悠遠意趣，正如老莊哲學中的“無”，看似“空無一物”，卻以無爲有，氣象萬千。

In the use of colors, Kushanshui removes excess colors and uses a large number of black, white and gray neutral color combinations. There is a long-distance interest that returns to the plain after the prosperity, just like the "nothing" in Lao Zhuang's philosophy, which seems to be "empty", but Do nothing for something, there are many things.

# 06

臥 室

Bedroom

主臥取意自“接天蓮葉無窮碧”，營造出靜中有動的視覺效果，將一種平和的感覺引入到生活之中，讓那顆因無數外界分神之事困擾的心有所放松。

The master bedroom is inspired by "the lotus leaves infinite green", creating a static and dynamic visual effect, introducing a sense of peace into life, and making the heart troubled by countless external distractions Relaxed.

次臥大膽求變，整體的氛圍造型簡潔清爽而充滿趣味，暗藏凸顯現代裝飾法則中的節奏與韻律，同樣是恬淡舒適的寢居佳境。

The second bedroom is bold and changeable. The overall atmosphere is simple, refreshing and full of fun. It hides and highlights the rhythm and rhythm of modern decoration rules. It is also a tranquil and comfortable sleeping environment.

# 07

茶 室

Tea Room

拾級而下，欣然邂逅負一層的茶室。設計師致力于將建築打造成一處可行、可望、可居、可遊的場所。在這簡潔的休憩空間中，以人的“實”，來填充場域的“空”。提一壺茶，翻幾頁書，蔥茏綠意作伴，淡泊閑雲相隨，自得于一世散逸。

Stepping down, I happily encountered the tea room on the ground floor. The designer is committed to making the building a viable, promising, living and traveling place. In this simple rest space, the "emptiness" of the field is filled with the "realness" of people. Carry a pot of tea, turn a few pages of books, lush greenery as companions, indifferent and idle with clouds, and get away in a lifetime.

在現代都市的快節奏生活中，融僑疊墅將人文美與自然美巧妙融合，雲在青天水在瓶，身居其間，沈浸于一種省悟的狀態，油然生出“雖由人作，宛自天開”的雅趣與況味。

In the fast-paced life of modern cities, Rongqiao Dieshu cleverly blends the beauty of humanity and the beauty of nature. The clouds are in the blue sky and the water is in the bottle, in the middle, immersed in a state of self-consciousness. "The taste and taste of elegance."

/项目信息/

项目地址丨融僑觀邸

项目面积丨310㎡

项目设计丨易・儒空間DESIGN

施工单位丨易・儒空間DESIGN

摄像制作丨1988攝影工坊

材质应用丨进口乳胶漆 实木护墙板 岩板 不锈钢