即域建筑设计 | 大乐之野·千岛湖室内设计-室内设计师平台 -室内设计论坛-扮家家室内设计网

“见山是山，见水是水；见山不是山，见水不是水；见山只是山，见水只是水”。 ——青山惟政禅师（宋）

“I saw mountains as mountains and rivers as rivers. Then I saw mountains not as mountains and rivers not as rivers. Now I see mountains once again as mountains and rivers once again as rivers.” — Zen Master Qingshan Weizheng (Song dynasty)

距离北京城区以北80公里的溪翁庄环境优美，占据着得天独厚的山水资源。云蒙山、云佛山、燕山山脉三山环抱，白河、潮河两河环绕，紧邻密云水库，地处密云生态涵养圈，周边湿地环绕整个的项目地。具有观景台功能的7层24米高的Hygge.艺术生活馆，被作为阳光城的永久业主会所，可以鸟瞰和纵览整个地域的山林丘壑以及漫坡溪谷。

▼金山坪村，从千岛湖看向基地

▼从大乐之野上方看向千岛湖

在千岛湖西侧水岸交界的金山坪村，自然环境的最大化引入与人工痕迹的最大化退让成为了第一设计原则。作为城市中喧嚣居住环境的反面，我们认为这个民宿空间最大的价值是帮助使用者得到内省式的自我回归。而这并非来自对外在环境的消极屏蔽，与之相反，在室内环境中，外部的自然环境恰恰成为了这一过程积极的路引。

▼C栋外观

▼从C栋客厅的室外看向室内，以及玻璃反射中的千岛湖

首先考虑的议题就是自然如何引入。框景作为最直接的空间操作手段，在第一时间即成为了讨论的焦点。我们在介入项目之初与已进入施工图阶段的建筑设计团队进行了多次立面的调整，看与被看的基本论题被反复推敲，直到最后达成了一个相对平衡的状态。

The first issue to consider was how to introduce nature.As the most direct means of spatial manipulation, framed scenery became the focus of discussion in the first place. At the beginning of our intervention in the project, we carried out many facade adjustments with the architectural design team that had entered the construction drawing stage. The basic topics of seeing and being looked at were repeatedly scrutinized until we finally reached a relatively balanced state.

▼公共区域